I make art to get closer to the world—not just how it looks, but how it feels, changes, and leaves its mark.
Whatever the medium, I'm drawn to the things that connect us, the beauty of impermanence, and the questions that won't leave me alone. Sometimes that means I let sunlight, seawater, plants, and weather become part of the work itself. Sometimes that means moving the camera instead of holding it still, allowing familiar places to become something strange and unexpected. And sometimes an idea demands an entirely different form.
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The World Prints Back
Cyanotypes and experiments with place
A cyanotype begins with sunlight. But what happens when you invite the rest of the world into the process?
I make these blue-and-white images with more than light-sensitive chemistry. Water, sand, plants, weather, and materials gathered from the places I'm exploring all have a hand in what appears on the page. Each piece becomes a collaboration between intention and chance, between the artist and the place itself.
The world leaves its mark. Literally.
